GPA: Meet minimum GPA requirements for either Local Area or Out of Local Area students depending on their status.Golden Four Courses: Complete with a grade of “C-” or better Written Communication, Mathematics/Quantitative Reasoning, Critical Thinking and Oral Communication.General Education: Have completed at least 30 semester units or 45 quarter units of courses in the general education requirements with a grade of “C-” or better.Upper Division: Obtain upper division level by completing 60 semester (90 quarter) units of transferable course work taken at a regionally accredited* community college or university.Transfer applicants must meet the following eligibility requirements: Our campus is impacted at both the Campus and Program Level. As part of campus level impaction additional admission standards have been set for students graduating from California high schools outside of our defined local area.Īdditional information about CSU Impaction, and how it can effect you can be found at the CSU, Chancellor's Office website.ĬSUSB information, including Campus and Program Level Impaction can be found on our Transfer Impaction Criteria website. This means that, CSUSB receives more eligible applicants during our initial application filing period than can be accommodated in the incoming class. Mission, Vision & Core Values - Global Site NavigationĬalifornia State University, San Bernardino is an impacted CSU campus for Undergraduate First-Year and Transfer students. Strategic Communication - Global Site Navigation Organizational Chart - Global Site Navigation Strategic Plan 2023-2028 - Global Site NavigationĪdministrative Divisions - Global Site Navigation Shared Governance - Global Site Navigation President's Office - Global Site Navigation Palm Desert Campus Life - Global Site Navigation Student Employment - Global Site NavigationĬampus Safety & Emergency Info - Global Site Navigation Housing & Dining - Global Site Navigation Student Health & Safety - Global Site Navigation Recreation & Wellness - Global Site Navigation Student Services - Global Site Navigation Graduation Initiative 2025 - Global Site Navigation Office of the Registrar - Global Site NavigationĪcademic & Support Resources - Global Site NavigationĪcademic Research - Global Site Navigation Graduate Studies - Global Site Navigation Student Financial Services - Global Site NavigationĪcademic Calendar - Global Site NavigationĪcademic Advising - Global Site Navigationĭegrees & Programs - Global Site NavigationĬolleges & Departments - Global Site NavigationĬourse Catalog / Bulletin - Global Site NavigationĪcademic Success and Undergraduate Advising - Global Site Navigation Military Veterans/Dependents - Global Site Navigationįinancial Aid & Scholarships - Global Site Navigation Osher Lifelong Learners - Global Site Navigation Undocumented Student Center - Global Site Navigation International Students - Global Site NavigationĮnglish Language Program - Global Site Navigation CSUSB Admissions - Global Site NavigationĪdmissions Overview - Global Site NavigationĪfter I'm Admitted - Global Site Navigationįirst-year Students - Global Site Navigation. Michigan State University does not cooperate with any third party summer programs (e.g., LION International, AUIA, etc.) for transfer credit.ĭue to the impact of the novel coronavirus, students can receive transfer credit (meaning the university will accept the course) for courses taken during the spring term of 2020 at another institution if there is a grade of S in a S/NS grade system, or a minimum of a 1.0 if the transfer course uses a numerical grading system. Any courses taken that resulted in a grade below 2.0 are not eligible for transfer credit. Course work assigned a grade of 2.0 or higher may be recognized in transfer. Students transferring from two-year institutions may transfer a maximum of 60 semester credits for use toward a bachelor's degree. Students can also visit to identify courses that may transfer to MSU. Here, students can view their evaluation and see how courses completed at other institutions transfer to MSU. Admitted students with college or university credit will be able to access their official transfer credit evaluation shortly before their New Student Orientation by logging into MSU's Student Information System.
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I have other less comfortable workarounds at hand involving Docker, so I'm mostly interested in understanding how this approach could work. Meld is launched to view /tmp/cKSwbn_a and /home//a (user obfuscated) which both don't exist. Leeres Git-Repository in /tmp/tmp.2RFxjgBbQ5/.git/ initialisiert ~/bin/ is the first in my PATH and picked up according to which meld.Īfter the following scenario > cd $(mktemp -d) In order to avoid trouble I created a script #!/bin/shįlatpak run ~/bin/ and made it executable with chmod x ~/bin/meld. Meld opendiff kdiff3 tkdiff xxdiff kompare gvimdiff diffuse diffmerge ecmerge p4merge araxis bc codecompare emerge vimdiff 'git difftool' will now attempt to use one of the following tools: See 'git difftool -tool-help' or 'git help config' for more details. This message is displayed because 'diff.tool' is not configured. I can use meld as usual with flatpak run, the problem seems to be the argument passing.Ī simple git config -global diff.tool "flatpak run " causes git difftool with uncommitted changes to fail due to git config option diff.tool set to unknown tool: flatpak run Therefore I'd like to try a different more promising approach and use a flatpak installation. I've invested some time in it already including reporting the failure as a bug, but the maintainer states that it's not a bug which seems correct.
Straightforward user interface that allows people who are not tech-savvy to enjoy it.Plentiful options of designs, layouts and features to choose from.Easily resize each picture by using two fingers to zoom in or zoom out.Explore your creativity by making artistic collages with the help of cutouts of other images. The go-to photo blender app for anyone looking to create a photo collage, photomontage or even a scrapbook. No free version available, costs about $2.99.For best results, a tripod is required to click the photos.Compatible with Android, Apple, macOS as well as Windows.Obtain professional-like editing results even without the know-how of professional editing.You can import and export images in your preferred format, such as jpg, png or even bmp.Tequnique, available on desktop and mobile platforms, is known for creating multiple blending exposure that was previously limited to DSLR cameras only. Earlier, to create double exposure effects, you needed to learn advanced photo editing software but nowadays you can do the same with the click of a few buttons. Create a cloning effect, motion path, overlay, merge pictures without any hassle. Some photo blending apps allow editing options such as adjusting brightness, cropping, and changing the contrast. You can either remove the background, add an element, blur an unwanted part of the image, drag and drop part of images from other photos, etc. You can create a collage and mix different photos resulting in your very own artistic masterpiece. Photo Blender is a tool that allows you to blend multiple photos and create a double exposure effect in a matter of seconds. Not limited to this, a useful AI image upscaler will also introduced to you. In this article, we are going to be teaching you, step-by-step, how you can create beautiful abstract blended photos in seconds with the help of some non-complex, straightforward mobile applications. To create a double exposure effect or for merging two or more photographs, learning complex Photoshop techniques is no longer necessary. For example, if you want to create a collage for a special someone on their birthday, photo blending comes to the rescue. One can use photo blending tools for creating funny, emotional, or surreal kinds of pictures. There are numerous ways to transform ordinary images into breathtaking shots and photo blending ranks high on that list. On long pauses, it’s always good to maintain the nozzle at a set temperature, so it reduces the startup time. It is very useful, especially if you haven’t primed the nozzle well. It repeats the last layer(s) the printer did before the pause, after the pause with the new filament. It specifies how many layers you might want to redo after the pause. It’s just the speed at which the printer is going to run through the extruded amount. Note: This is not going to be your new printing speed. The extrude speed determines the rate at which the printer will extrude the new filament after the pause. The extrude amount determines the amount of filament the 3D printer uses for this process. To do this, it needs to extrude filament to make up for the retraction and also run out the old filament in the case of a filament change. Extrude AmountĪfter the pause, the printer needs to warm up and get ready for printing again. Usually, it’s best to always leave it at Cura’s default setting of 25 mm/s. You have to be careful with this setting because if you get it wrong, it can jam or clog up the nozzle. It is the speed at which the motor pulls the filament back. Retraction SpeedĪs you might have guessed, the retraction speed is the rate at which the retraction occurs. It all depends on the 3D printer’s nozzle length and the filament in use. Usually, a retraction distance of 1 – 7mm is fine. Retraction also takes its parameters in mm. In this case, it’s done to relieve the pressure in the nozzle while also fulfilling its original function. Normally, we use retraction to prevent stringing or oozing. Retraction determines how much of the filament is pulled back into the nozzle when the printing pauses. Park Print Head takes its X, Y parameters in mm. You might need to extrude or run out the leftover filament, and the print head can get in the way or can even damage the model.Īlso, the heat coming from the print head can damage the print if it’s left over it for too long. If you need to maybe do some work on the print or change filaments, it’s nice not having the print head over the print. It might not seem like much, but this is a very important command. The Park print head specifies where to move the print head to after pausing the print. You can select the layer you want by using the “Layer View” tool after slicing. The “Pause layer takes in the layer number as its parameter to determine where to stop. Recall that we said you needed to slice the print before using the “Pause at height command” well this is why.
The resulting mashup known as French country decor emphasizes an easy take on rustic but refined aesthetics and natural materials, and an embrace of timeless everyday objects. While it may be hard to replicate the beauty of the surrounding landscape or the aged patina of a Provençal farmhouse, a rustic thatched cottage in Normandy, or a provincial chateau, architects, interior designers, and home decorators around the world have long sought to transport a bit of the charm and elegance of the French countryside to their own backyards. The decorating aesthetic known in the English-speaking world as French country style is an homage to the charms of the French countryside.
After it’s done, the drive should be usable. Otherwise, if you’re only using it on Windows machines, NTFS is fine. If you want the drive to be compatible with as many other operating systems and devices as possible, format it with the exFAT file system when Windows asks. RELATED: What File System Should I Use for My USB Drive?Ĭhoose the maximum possible size for the partition and assign a drive letter - you can let Windows automatically choose a drive letter. To format it so Windows can use it, just right-click the unallocated space in Disk Management and select “New Simple Volume.” If you see the drive in Disk Management, but it says “Unallocated” - with a black bar along the top - that means that the drive is completely empty and unformatted. Please understand that I may not be able to support specific devices, but I’ll definitely look at them and see what I can do.If You See the Drive in Disk Management, But It’s Empty If you make or sell a USB or Bluetooth input device and want to make sure the USB Overdrive works well with it, please send me a hardware sample. It does not support modems, serial adapters, network adapters, wireless adapters, scanners, printers, webcams, speakers, microphones, audio devices, hard disks, cd/dvd burners, etc. The USB Overdrive only talks to input devices. Doing so requires some UNIX shell commands so I won’t go into detail here, let me know if you need assistance on it. If you do not care about the actual force feedback feature (which is hardly supported anywhere) you can manually disable the LogitechForceFeedback.kext extension to let the Overdrive handle your device. The Logitech force feedback gaming devices are handled by a specific kernel extension that ships with macOS and has a higher priority than the Overdrive. If your device is not fully supported please let me know and I’ll see what I can do. I don’t like to spend days on a single device to reverse-engineer it and add specific workarounds for its non-compliant controls, but I’ve done it in the past for popular devices and I’ll do it again in the future as a service to USB Overdrive users. Some Logitech and Razer mice hide some of their buttons and cannot be fully handled without intimate knowledge of their vendor-specific behavior, which is not usually disclosed to third parties. Since multitouch gestures are more important than any other additional setting, the USB Overdrive is now leaving all Apple devices alone and no longer tries to handle them in any way. I’ve been talking to Apple for a long time about this, but it looks like multitouch event generation is not going to be available to 3rd parties anytime soon. Many generic devices with compliant buttons and controlsĪpple Magic Mouse, Magic Trackpad and Magic KeyboardĪpple’s built-in drivers use undocumented private APIs to forward multitouch gestures to the OS.External keyboards (built-in MacBook keyboards are not supported).Gamepad, Joystick, Racing Wheel and other gaming devices.Mouse, Trackball, Trackpad and other pointing devices.In general, the USB Overdrive should work with the following kinds of devices: The USB Overdrive works with any compliant input device so there’s really no way to list them all. “The main reason is the storage factor in that, at least in the beginning, you could pack a lot more CDs in a smaller place than you could with vinyl album,” says Clark. Like Newberry, Clark prefers CDs over records these days-an interesting choice for any collector, since most prize analog sound above all. A lot of them were reissues that you could pick up for a couple of bucks.” Record stores couldn’t get rid of their vinyl stock quickly enough, and that’s when I picked up a lot of old rock and soul albums. While I always purchased a lot of vinyl from 1965 on, the bonus years were, without question, in the mid and late ‘80s, when the industry was trying to change everything to CDs. Most of the vinyl albums were purchased prior to 1990. “A lot of the cassettes are bootlegs of questionable audible clarity. “There are also a couple of hundred cassette tapes, although that was never a favorite format of mine, except when it came to making mix tapes,” he says. Nearly half are vinyl albums (including roughly 1,000 45s). Collectors are spoiled and precise… Give me the whole thing or nothing.”ĭuncan Clark, an avid collector and attorney who lives in upstate New York, owns approximately 12,300 pieces of music. I like artwork, credits and seeing who played what and where. “That’s fine for many, but as a collector, I don’t want to download all that and have random papers and burned CDRs in my collection. “Downloading mp3s is a waste of time, since you often get a compressed sound-not a good thing-and there’s often little or no artwork and credits,” he explains. “Number one, I have too many already two, the new ones are way more expensive and three, the days of cueing up records for radio are simply gone!”Īs for downloads, Newberry insists that he doesn’t have any use for digital music, not only for quality concerns, but because it robs him of an integral part of the experience. “I do not even collect vinyl records anymore for three main reasons,” he says. Newberry, music whose collection numbers some 15,000 volumes, including both vinyl albums and compact discs, says his preferences these days lean toward the latter. Thus, records first, eventually superseded by compact discs.” So for me, the physical product has always been the primary object of my desire and affection. “Being in radio, I suppose downloads make the most sense for ease and quickness,” he says, “but I have also been a major collector most of my life. But what is it that compels a music lover in the 21st century to keep buying vinyl, or CDs, or cassettes, or any format that takes up space? Is there something inherently valuable about a physical piece of music? Or about owning music and not just leasing it from Spotify? Many still think so, but why?īarnes Newberry, host of the Americana roots show My Back Pages on Martha’s Vineyard radio station WMVY, is adamant about his preference for physical forms of music, particularly CDs. That’s true until you just have too many of them, which has been my case for several years.”Īs the saying goes, to each his or her own, and while the industry debates the most efficient ways to get music to the masses, collectors stay intrinsically bound to the forms of accumulation that best suit their desires. “One of the advantages of CDs over vinyl was that they were easier to store. Many new albums pressed to vinyl, including movie and TV soundtracks, now come with a free download code, encouraging people to give records, with their superior sound and vintage cachet, a try. Spending on vinyl also outstripped revenue generated by digital downloads as listeners turned more to streaming services and re-embraced tangible music formats. Sales of vinyl records actually hit a 25-year high in 2016, with more than 3.2 million LPs sold. Record stores have receded ever further in the rearview. Physically collecting music is now considered decidedly old-school, of course, and for those with shorter attention spans, interest only in individual songs, or the need to travel with 10,000 songs in their pocket, streams and downloads have increasingly replaced libraries that saddle entire rooms with nothing but shelves, album spines and little space for anything else. But in the past 30 years or so, the means of accumulating music have grown exponentially, with new technologies offering collectors more options than milk cartons crammed with LPs or teetering CD towers. Two generations ago, a “record collection” was literally just that. When it comes to music obsession, a commitment to collecting can take many forms. This may require you to switch off music or perhaps leave a store in search of a quieter, more soothing environment. Your first priority during a meltdown is to remove any triggers. This could include something like making silly faces or singing your child’s favorite song. The aim is to focus on something which is comforting but not over-stimulating. You can distract your child by doing anything which makes your child happy. This will only work if you spot the tell-tale signs of a meltdown before your child loses complete control. You may even find that talking to your child during a meltdown can exacerbate the symptoms. This could include loud noises or flashing lights. In addition, you’ll want to keep record of stimuli which make a meltdown worse. The important thing is to be aware of your child’s sensory sensitivities so you’ll be prepared to act should a meltdown occur. For some children with special needs this can be a visit to the town pool or a ride on a crowded bus to camp. You’ve probably already identified stimuli which tend to trigger meltdowns for your child. That is after all what a child needs most during a sensory meltdown. The important thing is to be understanding, patient and loving. But remember, what calms one child with special needs may not work for another. We put together some tips which may help you calm your special child during these trying times. By simply dismissing a meltdown as a petulant child acting out, you can cause severe harm to a child with special needs. Tantrums and meltdowns are very different and cannot be handled in the same way. Unlike meltdowns, a child having a tantrum is in control of their behavior, and will most likely stop acting out when they get what they want. They could, for example, want their parents’ attention or perhaps they want their parents to buy a specific toy. A child could have a tantrum for many different reasons. Tantrums are behavioural outbursts which are a deliberate attempt to get something. The two are easily confused which is why many dismiss meltdowns as nothing more than a badly behaved child’s cry for attention. What’s the difference between a meltdown and a tantrum?Ī good place to start is by understanding the difference between a sensory meltdown and a tantrum. When you can’t be with your child, AngelSense GPS Tracker for Autism can help you be there for them when they need you the most! While it is heart-wrenching to see your child experience this, with enough awareness and proactive intervention you can prevent them from causing harm to themselves and others. It’s almost as if they’ve had a complete break with reality. Their behavior is an involuntary, knee-jerk response to sensory overwhelm. During a meltdown, a person with autism is completely unaware of their actions and what’s happening around them. Perhaps what’s most terrifying about a sensory meltdown is the extent to which a child loses control. As a parent, it’s essential that you learn to recognize the signs of a meltdown so you can keep your child safe, and help them regain control and composure. While it’s painful to see your child lose control for seemingly no reason, meltdowns help you understand when your little one is experiencing sensory overwhelm. They may scream, break things, attack others and even try to hurt themselves. During a sensory meltdown, children with special needs have very little control over their behavior. That’s why the summer can be particularly trying for both kids with autism, and their parents. You’re also well aware that changes in routine can trigger or exacerbate meltdowns. As a parent to a child with autism, you’re probably no stranger to meltdowns. It's nothing amazing but I thought some people here might get a kick out of it. Have I done something wrong? I'm experiencing this bug -?Īwhile ago I wrote some lyrics for a new version of the classic US Civil War-era song 'Battle Cry of Freedom' and I thought I'd lost the file, but I just came across it buried in the arcane depths of my hard drive!.What are the Flairs? Can we get them changed?.What do certain tags in post titles mean?.Is there any place I can host my stories that Reddit doesn't own?.How I Became the Token Human by MarlynnOfMany.The Necessity of a Human Ambassador by Jodagon.The Ones Who Deserve Animals by IAmTheHypeTFS.Library of Babel by Objective_Campaign82.War Games, or, The Accidental Superpower by ADKRep37.Not any more crazy than your average human by JaschaE.Liberation of the Canidae by Weird-Ad4979.Being Neighbourly by Dr-Mantis-Tobbogan.The Trial of Admiral Fzklire by Hentext.You can comment !N or !Nominate to nominate a story for the next feature list. Take a look and see what you can do! Featured Content #117 Mysterious Visitors: Glyphs by sjanevardsson Spirit World: The Cost of Doing Business by Rantarian You can comment !V or !Vote to vote for a story to win the contest. Looking for someone to play with? Come game with us! 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In 2006, he released two science fiction one-shot, “Hotel” and “Present” which, in 2008, were compiled in a volume titled Hotel along the other one-shots “It was all for the tuna”, “Stephanos” and “Diadem”.Ģ006 is the year of Boichi’s first serialized manga: “Sun Ken Rock” in the bi-weekly magazine Young King. In 2005, 9 out of Boichi’s 11 hentai one-shot serialized in Comic Aun were reunited under the volume titled “Lover in Winter”. His “Ultimate Space Emperor Caesar”, serialized in Monthly “Comic Gum”, was his first tankōbon in Japan. In 2004 he stepped into the world of Japanese manga. Since then, he gained popularity releasing a number of works and publishing books on how to draw manga targeting a wide range of reader. In 1993, while still enrolled, debuted in a Korean shoujo manga magazine. He also donated the money he planned to use to buy a new car towards helping tsunami victims.Intending to be a manga artist from his childhood days, majored in physics in college as preparation to draw science fiction works, and also to learn the technology of performance and imaging, went on to graduate school to major in image technology. He asked Korean manga artists to contribute towards drawing a support page for Japan in regards to 2011′s big earthquake, and giving the royalties from the proceeding to the Red Cross. To express his sentiment towards Vietnam and apologize for Korea’s action during the war, Sun Ken Rock volume 2′s royalties were donated to the humanitarian organization “Child of Viet Nam”. In this year, he won the Gran Guinigi prize for “It was all for the Tuna”. In later 2011, he started the serialization of another manga titled “H.E the hunt for energy” in a new monthly magazine: Jump X. He also only did the art of the Brutality one-shot by Takeda Yuusuke in 2007. 2012 will also see the serialization of “I want to feed Yumin”, another spin-off of Sun Ken Rock based on Yumin and serialized in “Monthly Young King”.īoichi also worked on a 5 volume long manga titled Raqiya and written by Masao Yajima where he was in charge of the art and published in 2009. This manga will also have a side-story based on Yumin in 2011 and one based on Pickaxe in 2012. Intending to be a manga artist from his childhood days, majored in physics in college as preparation to draw science fiction works, and also to learn the technology of performance and imaging, went on to graduate school to major in image technology. |